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Synopsis: Deep underground, as millions rush through the New York City subway system, countless items get left behind. The MTA’s gargantuan Lost Property Unit is near impossible to navigate alone. Luckily, Sonny Drayton can point us in the right direction. Through his humor and intimate personal knowledge of the subway, Sonny invites us to consider what it means to lose and be lost underground, often the last stop for those who’ve fallen through the social safety net and have nowhere else to go. “Last Stop for Lost Property” questions how we value the artifacts of our lives: big and small, cherished and dismissed, tangible and existential.



Run Time

13 minutes


Sonny Drayton (Narrator / Character)

Directed by

Vicente Cueto

Edited by

Benjamin Stillerman


Elyse Blennerhassett

Production Designer

Rachel Winton


Emma Yi

Director's Statement

This project began as an exploration of the New York Subway and the people who use it every day. While spending time at trains and platforms looking for meaningful encounters, lost objects captured our attention. We locked our cameras on them from a distance and waited patiently to register interactions between these objects and the public, hoping they would reveal something about this busy underworld. How concepts like property, value and loss are experienced and negotiated in a transient space. Some objects remain invisible or are largely ignored whilst others, either by their look, smell, or association, drive people far away- either to be thrown in the garbage or kicked out of the subway car. Hunting for lost objects took us all over New York, and allowed us to hear many stories of recovery and loss. Outside of the MTA’s Lost and Found office we met Sonny Dayton. As we got to know him, it became obvious that he is a natural storyteller and an expert on loss in deeply personal ways that go far beyond the subway tunnels. The audience is invited to consider how easily things and people can get lost, and how hard it is to be found when deemed worthless.

Director's Bio

Vicente Cueto uses filmmaking, installation, and interactive teaching to explore the intersection between art, memory, and politics. In 2016, he relocated to New York City from his home country of Peru to complete his Masters degree at NYU in Art, Education, and Community Practice. He has worked with the Peruvian Forensic Anthropology Team documenting Human Rights Violations in Peru, and with the Urban Democracy Lab making short documentaries about housing activists and housing rights. His film “Drawing from Memory” screened at the 2017 Margaret Mead Film Festival.

Production Year




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